But, as a result of the wormhole, and now partly inspired by that cover and partly by a throwaway comment here about musical thievery not being chronological, I've been settling on an idea to cover songs not yet written by the artists...
I know that, perhaps, this has been done already (for instance, this is how the new My Bloody Valentine album sounds to me) and will (obviously) be done again but I feel it needs to be done with more intent and the proactive interference made more explicit. In fact, while Retromania covers some of this kind of interference from the past, I reckon Simon missed a trick by focusing mostly on the conscious aspects of this appropriation, more on the Present looking back than the Past looking forward which seems to me the dominant thread in music... Yeah, it's a Burroughsian 'future leaking through' shtick but it's my Burroughsian 'future leaking through' shtick.
You'll have guessed by now I have absolutely no idea where I'm going with this (but that sort of fits, doesn't it?); this is just writing (what Beckett would call plumbing), the theory itself is a long way off... but it is there, tinkling around my skullshape, itching like that guy with the flies in The Wasp Factory (so sad about Iain Banks but he's going out wonderfully).
Right now, with this sleep-deprived melatonin deficiency I've got going almost anything could happen... Ivor The Engine, for example, is playing right now and a 2 year old is locked to the screen in his own Retromaniac Maze of sound and vision. He's even playing with a (AHEM) 'vintage' Fisher Price USA School Bus (which wasn't right even when it was made).
The next IX Tab album will probably be a selection of cover versions that haven't yet been written. The first one contained at least three. Some of you clearly spotted the Coil and Cluster reunion singles (answers on a postcard).
I need sleep.
An episode of Sapphire and Steel where Sapphire and steel are actually elements.